The Motor Museum is the leading Liverpool Recording Studio.
It’s where we create iconic records for cutting edge artists in our renowned recording environment.
Our clients include
The 1975, Oasis, Bring Me The Horizon, The Arctic Monkeys, Loathe, The Sherlocks, Michael Kiwanuka, STONE, The Mysterines, Luvcat, Crawlers, The Black Keys, Jake Bugg, King Krule, Sister Sledge and more.
The Motor Museum is home to Al Groves, a platinum selling record producer and mixer whose credits include Bring Me The Horizon, The Sherlocks and STONE.
Find Out MorePhone | 0151 662 0119 |
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info@themotormuseum.com | |
Address | 1 Hesketh St, Liverpool L17 8XJ |
We provide a world class recording studio in the heart of Lark Lane to inspire our clients, fostering collaboration between artist and producer to capture the most imaginative new music.
Mediterranean architecture features three dramatic live spaces, a Solid State Logic Duality 48 console, and a mouthwatering selection of rare and vintage equipment.
Natural daylight and tropical foliage deliver a vibrant backdrop that defines The Motor Museum as Liverpool's most iconic recording studio.
Our Lark Lane location puts the best of Liverpool's bars, restaurants and the beautiful Sefton Park right on our doorstep, creating the perfect work-life balance to make incredible records.
Its also got the backline to match; a bursting drum cupboard, iconic synths including an original Moog Minimoog, organs, piano’s, a Fender Rhodes, and a desirable selection of boutique guitar amps come together to form a unique, inspiring and wonderfully creative recording studio – Welcome to The Motor Museum Recording Studio Liverpool.
Al has made his name with acts such as Bring Me The Horizon and The Sherlock’s as well as developing a whole of host of new talented upstarts. Recent artists produced and mixed by Al include STONE, Blanket and Shefu.
Al’s production on The Sherlocks album ‘People Like Me & You’ achieved a UK #4 chart position, and other work earning Platinum, Gold and Silver awards worldwide.
Al is available for Production, Mix, and Writing sessions and is represented by Pip Newby at Bridge Management.
Credits include…
After graduating Lipa in 2020 his longtime relationship with The Mysterines led him to contribute to their debut album ‘Reeling’ earning him his first top ten album credit. He quickly capitalised on this early success gaining credits on records for The Luka State, The Zutons and The Sherlocks.
Ben’s strengths lie in how he supports artists through the creative process; his gentle personality nurtures creativity in those around him, and he is a master of guiding sessions to being wonderfully productive events. He cares deeply about the music he is entrusted with, and is an advocate of ‘doing things right’ when it comes to applying recording techniques.
Ben is comfortable on a variety of genres spanning indie, acoustic and jazz, and has a special interest in creative microphone techniques. He is also an exciting co-writer!
Credits include…
A close friend of Liverpool’s underground music scene, Jake is deeply enthusiastic about helping artists make their mark. He combines his passion for the art with thorough technical insight, and he applies his intelligence to every project. He relies on time-honoured techniques and understands how to make the transition from writing to recording a seamless process. His comfort zone spans genres from hyper-pop to heavy-metal, always retaining a deep respect for expression and identity. A calm demeanour and supportive attitude guide a session to a sounding exactly as the artist hears it in their head, offering encouragement, ideas and “absolutely belter brews” to great effect.
Credits include…
An outstanding drummer (Al says one of the best in the north west!) Sam had already spent many hours behind the kit in our live rooms and understands The Motor Museum culture perfectly. Friendly, meticulous and highly professional, Sam ensures the studio runs like clockwork. He’s a great people person and a friend to everybody, and is hugely passionate about delivering the ultimate recording experience.
Drawing on his experience as a recording artist, Sam brings valuable insight that he uses to help us do what we do in the best possible way. He is constantly analysing the studio’s output and searching for ways to not only achieve, but surpass our goals.
Sam looks after day to day operations, technical projects, social media and client liaison. He’s the drummer-extraordinaire in Paint Me In Colour, Pleasure Island and Esme Bridie, and an avid fan of Formula One!
Recording is our bread and butter, and we think we’re pretty good at it. We see recording as an art form, and our engineering team are dedicated to the perfect application of it. We specialise in both live recording and overdubbing, and we’ve developed workflows that harness the power of the studio and put creativity at the forefront. Whether loud band or an intimate acoustic, our recording services are focused on capturing amazing music in the most authentic way possible.
If recording is our bread and butter, then production is our fine dining. Taking all our knowledge of recording and supercharging it with our imagination and a little bit of magic, our productions are what define The Motor Museum. From Al Groves’ raucous, larger-than-life sonic spectacles to Ben Harpers’ rootsy and organic ear-worms, our roster represents some of the most talented music producers in Liverpool.
We’ve produced emerging artists at the beginning of their journey right through to established household names spanning a range of genres. But no matter the project, at the core of our commissions is our passion to showcase expression, individuality, identity and great songwriting to create records that mean something remarkable to our artists and their audience.
Some of the most acclaimed records of the last decades have been mixed at The Motor Museum. Whether it’s the incredible sounding control room or our Solid State Logic Duality console, mixing makes up a large part of our work. Our engineers are experts in balancing sound and creating beautiful sonic landscapes, and Al Groves brings his unique high-impact style to bring a mix to life. The magic of what we do can be applied to songs recorded elsewhere too, and all our mixes include instrumentals as standard.
We don’t do anything else, because we’re specialists at what we do;
Recording/Monitoring
Solid State Logic Duality Delta SE 48
ProTools HDX (PT2023), Intel MacPro 7.1 w/ 26 in & 48 out
Burl B2 Bomber ADC
Genelec 8351B x 2
Genelec W317A x 2
Cranesong Avocet
Hear Technologies Hearback Headphone Mixers (x4)
Beyer DT100/150/770, Vic Firth Isolation (x8)
Outboard
API 560
Cartec EQP-1A (x2)
Neve 1073 (x3)
Ridge Farm Gas Cooker DI
Tritone Fethead (x2)
DBX 160X (x2)
Drawmer DS201
Empirical Labs ES-8 Distressor (x2)
Retro Sta-Level Gold
Urei 1176 Silverface (x2)
SPL Transient Designer 2
AKG BX20 Spring Reverb
Aphex 204 Aural Exciter
Chandler Industries Tube Driver
Eventide H3000-D/SE
Korg Kaoss Pad
Lexicon PCM90
Lexicon 960L
Radial Phazer
Roland SDE-2500
Solid State Logic Fusion
SPL Vitalizer
TC Electronic FireworX
WEM Watkins Copicat
Microphones
AKG C414 B-ULS
AKG C451B
Beyerdynamic TG D71
Calrec CM1050C (x2)
Earthworks DM6
Earthworks DM20 (x4)
Earthworks SR25 Gen 2 (x2)
Flea U47 Vintage
Neumann KM84 (x2)
Neumann TLM193 (x2)
Neumann U67
Realistic PZM (x 2)
AEA R44CE
AEA R88 mkII (stereo)
Coles 4038 (x2)
AKG D112
AKG D12E
Audio-technica ATM25
Beyerdynamic M201
DrAlienSmith Alien8
Electrovoice RE20
Sennheiser MD421 (x4)
Shure Beta 52A
Shure SM57 (x5)
Shure SM57 Transformerless
Shure SM7B
Yamaha Subkick (x2)
Drums/Percussion
Tama Starclassic Mirage Acrylic
22×16, 10×7, 12×8, 14×12, 16×14
Tama Starclassic Bubinga Elite
24×16, 14×12, 16×16, 18×16
KD Customs Vented 14×5 Snare
Mapex Black Panther Snare Drum 14×5
Pearl Free Floating Brass Snare Drum 14 x 6.5 (additional hire charge)
Pearl Vinnie Paul Maple Snare 14 x 8 (additional hire charge)
Pearl Sensitone Steel Snare Drum 14 x 6.5
Worldmax Brass Snare Drum 14 x 5
Guitar/Bass Amplifiers/Keys/Synths
Ampeg B15R
Ampeg 8×10 Cab
Badcat Cub IIIR
Diezel Einstein 50
Marshall Silver Jubilee 2555x
Orange OR50
Orange 4×12 Cab (EV12L + G12H30)
Marshall 7400
Mesa Boogie Rectoverb
Mesa Boogie Rectifier Oversized 4×12 Cab
Fender Rhodes MK2 Stage
Moog Minimoog
Octave The Cat
Studio Electronics SE1-X
Challen Upright Piano
FX Pedals/DI’s/Signal Tools
Boss CE-2 Chorus
Boss CS-3 Compression Sustainer
Boss HM-2
Ceriatone Klon Centaur
EQD Afterneath
EQD Arpanoid
EQD Disaster Transport Sr
EQD Transmisser
Ebow
Elextro-Harmonix Freeze
Electro-Harmonix Microsynth
Electro-Harmonix Superego
Electro-Harmonix The Worm
Hudson Broadcast 24v
Dunlop Crybaby Wah
Lovepedal 4 Knob Blackface Deluxe
Marshall Jackhammer
ProCo Rat
Sansamp Bass Driver DI
Zvex Fat Fuzz Factory
Zvex Super Hard-on
Zvex Wah Probe
BSS Audio Active DI (x2)
EMO Passive DI
Little Labs STD (x2)
Radial Reamp